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Which campaigns won the Kantar Advertising Effectiveness Awards based on people’s reactions?

Vimto’s Ramadan campaign has been named among Kantar’s Top 10 most effective campaigns globally based on results-driven advertising – the only Middle East campaign to feature in the ranking.

Vimto Kantar

Vimto’s Ramadan campaign has earned global recognition, securing a place among the Kantar top 10 most effective campaigns worldwide – the only Middle East campaign to feature in the ranking and the only one from the region securing a place among the world’s top 10 most effective campaigns.

Kantar’s 2026 Advertising Effectiveness Awards, which celebrate the world’s most effective, results‑driving advertising, are the only global awards to crown its winners based on the reactions of real people, the Kantar Advertising Effectiveness Awards recognise 36 brands across four categories – campaigns, digital and social, TV, and print and outdoor.

“The creative assets for this campaign were built with the consumer at heart. The Vimto team also pre-tested the work using Link+ and Branding, placing it in the top 15 per cent of ads in KSA. That’s a powerful result for a timeless brand that remains a staple on Ramadan tables across the region,” said Mohamed Hayek, Creative Effectiveness Lead, Middle East, Kantar.

Hari Prasaadh Kumar, Associate Director, Media & Analytics, Middle East at Kantar, added, The LIFT+ study highlights a robust multimedia strategy, with strong execution delivering total reach and driving above‑norm uplifts in awareness ( more than 6 per cent) and brand associations (more than 5 per cent). Long‑format creative was prioritised during peak Ramadan viewing, while digital activation built early momentum and stayed live through the end of the period to sustain reach and amplify cross‑channel synergy.”

The recognition underscores the growing strength of culturally rooted, insight‑led campaigns from the Middle East in driving measurable brand growth on a global stage.


At the global level, CeraVe, Heinz and McVitie’s have taken top honours at Kantar’s 2026 Advertising Effectiveness Awards.

The global winners are determined by Kantar’s media and creative solutions and a qualitative review by Kantar’s diverse global creative and media experts.

Together, they measure consumers’ reactions to ads and campaigns to assess their effectiveness and help marketers make decisions that will quantifiably build their brands.

The ‘campaigns’ category is a new addition to the awards this year, based on Kantar’s media effectiveness intelligence, and reflecting the increasing integration of creative and media in advertising.

The inaugural winner of the world’s most effective campaign is gaming brand EA / Apex Legends for its Japan ‘Apex Legends S22’ campaign.

Kantar’s experts hailed it as a standout example of applying the lessons of previous campaigns and well-considered channel selection; despite its scale the campaign deliberately avoided broadcast TV, anchoring instead around PlayStation ads and streaming and social channels. These reinforced each other, creating a cumulative impact across channels.


What the world’s most effective advertising shows us

The Kantar winners prove that when creative and media decisions work together, brands can deliver greater impact, and highlights three lessons CMOs can learn from the world’s most effective advertising:

  • The blurring lines of influence: Many of the winners demonstrate the convergence of celebrities and creators, making it ever more important for marketers to understand the new reality of influence. Winners include CeraVe for its TikTok campaign where creator Anwar Jibawi created a dramatic retelling of Romeo and Juliet to sell the benefits of the brand’s Air Foam cleanser. And the Hellmann’s Mayo campaign where a cameo from actor Sydney Sweeney brought the iconic 90s romcom “When Harry Met Sally” into the 21st century, and which used creator-led and social extensions to help the idea travel beyond the flagship Super Bowl TV slot.
  • Something old, something new: Many of the awarded campaigns show that alchemy lies in the ability to make the new work with the old. Heinz claimed the most effective TV ad of the year with a tennis‑themed spot reprising its classic ‘It has to be Heinz’ tagline, bringing the concept up to date with a reference to 2025’s summer of sport. Volkswagen Australia tapped into the brand’s iconic 1960s print ads to launch a new platform for its Tayron model, proving that effective advertising doesn’t always need reinvention, but an openness to evolving ideas and building on previous successes.
  • Consistent, coherent and connected: Many of this year’s standout campaigns demonstrate the power of well-tailored creative that allows each channel to sing, while delivering results that are worth more than the sum of their parts. Savanna Premium Cider stood out, taking home awards in the print/outdoor and TV categories for its ‘Steve Jobe & The Department of Unnecessary Innovation’ campaign.

“With AI making it possible for marketing teams to churn out content at unprecedented speed and scale, it’s more important than ever for CMOs to understand what’s actually effective. Otherwise, brands are simply adding to the noise rather than making decisions with confidence. Our winners offer clear lessons from the world’s most effective campaigns, whether that’s putting your brand at the heart of culture, refreshing a proven idea from your back catalogue, or joining the dots between channels to create campaigns that are more than the sum of their parts,” said Vera Sidlova, Global Creative Director at Kantar.

Karen Owen, Chief Growth Officer, European and Pacific Developed Markets at Kraft Heinz, said, “At Heinz, we approach campaigns by first establishing an overarching idea that serves as the red thread through all our communications. We then identify what matters most to consumers at different touchpoints, ensuring our message connects effectively everywhere.

Owen added, “For this campaign, we focused on what we call ‘irrational love’ for Heinz. It’s about those moments when consumers are so lost in enjoying their Heinz tomato ketchup-loaded hotdog – to take this example – that they are not paying attention to anything else around. It’s about the true, authentic connection which consumers are telling us they have with our brands.”


2026 Kantar Advertising Effectiveness Awards. The top three winners in each category are:

Digital and social

  Brand Title Agency Channel Country
1 CeraVe Romeo & Juliet Content creator: Anwar TikTok USA
2 Neutrogena Derm Hero BBDO YouTube USA
3 Malibu Malibu Hero Boardroom 21s Instagram Wieden + Kennedy London Instagram United Kingdom

TV

  Brand Title Agency Country
1 Heinz Lost in Love: Tennis Wieden + Kennedy London United Kingdom
2 Nationwide Scam Checker 30s TVC Mother United Kingdom
3 Deliveroo Unexpected Guest Pablo London Italy

Print and outdoor

  Brand Title Agency Country
1 McVitie’s McVitie’s Chocolate Digestives 100 Years OOH Banner Adam & Eve\TBWA United Kingdom
2 Heinz It has to be Heinz in the year of the horse Good Mong Kok Chinese Mainland
3 Savanna Savanna Steve Jobe Quality Credentials OOH TBWA South Africa South Africa

Overall campaign

  Brand Title Agency Country
1 EA / Apex Legends Apex Legends S22 In house team Japan
2 Victoria A ti, ¿quién te espera? Wieden + Kennedy Mexico
3 Uber Eats Uber Get Almost Almost Anything 3.0 Special Group Australia

 

the authorAnup Oommen
Anup Oommen is the Editor of Campaign Middle East at Motivate Media Group, a well-reputed moderator, and a multiple award-winning journalist with more than 15 years of experience at some of the most reputable and credible global news organisations, including Reuters, CNN, and Motivate Media Group. As the Editor of Campaign Middle East, Anup heads market-leading coverage of advertising, media, marketing, PR, events and experiential, digital, the wider creative industries, and more, through the brand’s digital, print, events, directories, podcast and video verticals. As such he’s a key stakeholder in the Campaign Global brand, the world’s leading authority for the advertising, marketing and media industries, which was first published in the UK in 1968.