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Are procurement teams killing creativity or saving brands?

CIPS MENA's Sam Achampong calls for the industry to challenge traditional processes and reframe procurement not as a final checkpoint, but as an active partner.

Sam Achampong, Regional Managing Director, Chartered Institute of Procurement & Supply (CIPS) for the Middle East, Africa and Asia Pacific.Sam Achampong, Regional Managing Director, Chartered Institute of Procurement & Supply (CIPS) for the Middle East, Africa and Asia Pacific.

In the competitive world of marketing and advertising, procurement professionals often find themselves at the centre of a longstanding debate. Are they the gatekeepers stifling creativity, or the unsung heroes safeguarding brands? The answer, as with many complex relationships, lies somewhere in between.

Agencies frequently view procurement as an obstacle; the middlemen who slow down processes, squeeze budgets and interfere with creative decisions. This perception isn’t entirely unfounded. Procurement’s role involves meticulous evaluation, cost management and ensuring compliance, which can be seen as opposed to the free-flowing nature of creative work.

However, this viewpoint overlooks the strategic value procurement brings to the table. Procurement professionals are the evolution of middlemen. We slow down purchasing relationships, you pay us to do so, and we sometimes choose the less efficient option. But we are indispensable to the long-term survival of your organisation.

It’s time to reframe the conversation around procurement’s role in the creative process. Rather than being adversaries, procurement and creative teams can be allies in achieving shared goals. Here’s how:

  1. Protecting long-term interests: Procurement ensures that both buyers and sellers engage in relationships that are sustainable and beneficial over time. This involves clear contracts, defined expectations and mechanisms for accountability.
  2. Ensuring ethical partnerships: At a time when brand reputation is paramount, procurement plays a critical role in vetting agencies for ethical practices, diversity and inclusion. This diligence helps brands avoid associations that could harm their image.
  3. Balancing value and excellence: While cost is a factor, procurement also assesses the value delivered. This includes evaluating the quality of creative output, the agency’s track record and their alignment with brand values.
  4. Strategic supplier management: Procurement doesn’t just cut costs; it manages supplier relationships strategically. This involves nurturing partnerships that encourage innovation, flexibility and mutual growth.

Around the world, leading organisations are redefining procurement’s role in creative endeavours. Companies are moving away from outdated stereotypes and towards a more collaborative model. One key shift is the earlier involvement of procurement teams in the creative briefing process.

Rather than being brought in after agency selection, procurement is now working side-by-side with marketing teams from the start. This ensures that budgetary constraints and strategic objectives are aligned from the outset, avoiding missteps and costly course corrections later.

Another emerging best practice is the use of clear and consistent performance metrics. By establishing well-defined KPIs for creative agencies, organisations can objectively assess performance and results, promoting a culture of transparency and continuous improvement. These metrics help build trust, clarify expectations and provide a solid foundation for long-term partnerships.

Finally, we’re seeing a move away from rigid, one-size-fits-all contracts. Instead, more flexible contracting models are being adopted – ones that accommodate the iterative, evolving nature of creative work. These agreements allow room for experimentation and change while still maintaining the governance and accountability that procurement is there to uphold. In this way, procurement becomes a facilitator of creativity, not a constraint.

These global shifts in how it supports creative work are not just theoretical, they’re increasingly visible in the Middle East as well. As marketing teams across the region seek to deliver standout campaigns in competitive markets, the role of procurement is evolving in step.

Organisations are beginning to understand that when procurement is integrated more closely with functions like marketing and communications, it becomes a strategic enabler rather than a barrier.

This regional shift is particularly important given the unique dynamics at play. From navigating local cultural sensitivities to ensuring regulatory compliance across diverse markets, procurement brings a layer of risk management and accountability that protects brand integrity.

At the same time, with budgets under scrutiny and an increasing demand for measurable ROI, procurement ensures marketing spend delivers real value, but without undermining creative ambition.

In many cases, this means challenging traditional processes and reframing procurement not as a final checkpoint, but as an active partner from the outset. When that collaboration happens, brands in the Middle East are better positioned to produce work that’s not only creative, but commercially and culturally effective.

By Sam Achampong, Regional Managing Director, Chartered Institute of Procurement & Supply (CIPS) for the Middle East, Africa and Asia Pacific.

the authorAnup Oommen
Anup Oommen is the Editor of Campaign Middle East at Motivate Media Group, a well-reputed moderator, and a multiple award-winning journalist with more than 15 years of experience at some of the most reputable and credible global news organisations, including Reuters, CNN, and Motivate Media Group. As the Editor of Campaign Middle East, Anup heads market-leading coverage of advertising, media, marketing, PR, events and experiential, digital, the wider creative industries, and more, through the brand’s digital, print, events, directories, podcast and video verticals. As such he’s a key stakeholder in the Campaign Global brand, the world’s leading authority for the advertising, marketing and media industries, which was first published in the UK in 1968.