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Miramax partners with Doha Film Institute to elevate Arabic-language storytelling

Aimed at supporting the development of premium, local Arabic-language content across the MENA region, the programme will provide training, mentorship, and production and distribution resources for Arab writers.

Miramax Writers

Miramax, the global film and television studio owned by beIN MEDIA GROUP (beIN) and Paramount Global, has revealed details about its partnership with Doha Film Institute (DFI) to launch the DFI x Miramax Writer’s Programme.

Aimed at supporting the development of premium, local Arabic-language content across the Middle East and North Africa, the programme will provide training, mentorship, and production and distribution resources for both emerging and established Arab writers.

It will offer critical support for their projects, contributing to the expansion of the region’s series content output, and strengthening Qatar’s position as a leading media hub in the Middle East.

“At Miramax, we believe great storytelling knows no borders,” said Jonathan Glickman, CEO, Miramax. “This partnership with DFI is a powerful step toward amplifying emerging Arabic-language voices and sharing their stories with audiences worldwide.”

The DFI x Miramax Writer’s Programme will involve the selection of up to five local and regional projects to develop each year. The Writer’s Programme will tie into DFI’s existing Series Programmes, with the goal of extending the reach and impact of these initiatives.

The collaboration between Miramax, renowned for its film and television productions, and DFI, the leading film institute in the Middle East, addresses a key gap in the region’s media industry by offering not only development support but also direct access to Miramax’s vast distribution and sales network to reach audiences worldwide.

Fatma Hassan Alremaihi, CEO of DFI said, “At Doha Film Institute, we believe in the transformative power of storytelling to unite, inspire, and celebrate cultural identity. Our partnership with Miramax marks an exciting new chapter in championing original Arabic-language content that reflects the depth and diversity of our region. By creating compelling stories in our own voice, we not only preserve our heritage but also bring communities closer together through the universal language of cinema.”

Miramax has had a standout year across both film and television, with highlights including Academy Award®-nominated The Holdovers; The Beekeeper, which grossed more than $160m worldwide; indie-hit Strange Darling; Golden Globe-nominated series The Gentlemen, which launched in March 2024, ranking #1 for three weeks on Netflix; and the fourth installment of the Bridget Jones franchise – Bridget Jones: Mad About the Boy, which premiered February 14, 2025.

Upcoming Miramax projects include: Roofman, starring Channing Tatum, Kirsten Dunst and Peter Dinklage, set to premiere October 10, 2025, with Paramount Pictures distributing domestically and in the UK; the next installment in the Scary Movie franchise, set to premiere Summer 2026, distributed globally by Paramount Pictures, with Marlon, Shawn, and Keenen Ivory Wayans writing and producing; Colman Domingo’s directorial debut Scandalous, starring Sydney Sweeney and David Jonsson; and The Faculty remake, being written by breakout talent Drew Hancock.

the authorAnup Oommen
Anup Oommen is the Editor of Campaign Middle East at Motivate Media Group, a well-reputed moderator, and a multiple award-winning journalist with more than 15 years of experience at some of the most reputable and credible global news organisations, including Reuters, CNN, and Motivate Media Group. As the Editor of Campaign Middle East, Anup heads market-leading coverage of advertising, media, marketing, PR, events and experiential, digital, the wider creative industries, and more, through the brand’s digital, print, events, directories, podcast and video verticals. As such he’s a key stakeholder in the Campaign Global brand, the world’s leading authority for the advertising, marketing and media industries, which was first published in the UK in 1968.