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	<title>Advertising Archives - Campaign Middle East</title>
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	<item>
		<title>What actually makes a great world cup ad?</title>
		<link>https://campaignme.com/what-actually-makes-a-great-world-cup-ad/</link>
		
		<dc:creator><![CDATA[Hiba Faisal]]></dc:creator>
		<pubDate>Fri, 05 Jun 2026 14:26:57 +0000</pubDate>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Marketing]]></category>
		<category><![CDATA[Opinion]]></category>
		<category><![CDATA[Ads]]></category>
		<category><![CDATA[Advertising]]></category>
		<category><![CDATA[Fifa World Cup]]></category>
		<category><![CDATA[Freedom Studio]]></category>
		<category><![CDATA[Hisham Lahouasnia]]></category>
		<category><![CDATA[World Cup]]></category>
		<guid isPermaLink="false">https://campaignme.com/?p=122989</guid>

					<description><![CDATA[<p>We sat down with our colleagues, from different backgrounds and with different relationships with football to review the biggest World Cup campaigns. What started as a creative review turned into something more interesting: a genuine argument about what a World Cup ad even means. The question nobody asks out loud Every four years, the marketing [&#8230;]</p>
<p>The post <a href="https://campaignme.com/what-actually-makes-a-great-world-cup-ad/">What actually makes a great world cup ad?</a> appeared first on <a href="https://campaignme.com">Campaign Middle East</a>.</p>
]]></description>
		
		
		
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		<title>Dragons of MENA Awards in Dubai: Details revealed &#8211; categories, criteria, deadlines</title>
		<link>https://campaignme.com/dragons-of-mena-awards-in-dubai-details-revealed-categories-criteria-deadlines/</link>
		
		<dc:creator><![CDATA[Anup Oommen]]></dc:creator>
		<pubDate>Fri, 05 Jun 2026 07:02:06 +0000</pubDate>
				<category><![CDATA[Advertising]]></category>
		<category><![CDATA[Awards]]></category>
		<category><![CDATA[Creative]]></category>
		<category><![CDATA[Digital]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Marketing]]></category>
		<category><![CDATA[Media]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[accessibility]]></category>
		<category><![CDATA[acquisition]]></category>
		<category><![CDATA[activation]]></category>
		<category><![CDATA[AI]]></category>
		<category><![CDATA[Artificial Intelligence]]></category>
		<category><![CDATA[awards in Dubai]]></category>
		<category><![CDATA[behaviour change]]></category>
		<category><![CDATA[brand growth]]></category>
		<category><![CDATA[Business or Trade Marketing]]></category>
		<category><![CDATA[campaign concept]]></category>
		<category><![CDATA[campaign execution]]></category>
		<category><![CDATA[campaign results]]></category>
		<category><![CDATA[campaign strategy]]></category>
		<category><![CDATA[Campaigns]]></category>
		<category><![CDATA[communications]]></category>
		<category><![CDATA[Content creation]]></category>
		<category><![CDATA[digital]]></category>
		<category><![CDATA[Dragons]]></category>
		<category><![CDATA[Dragons of MENA]]></category>
		<category><![CDATA[Dubai]]></category>
		<category><![CDATA[effectiveness]]></category>
		<category><![CDATA[entertainment]]></category>
		<category><![CDATA[Event or Experiential]]></category>
		<category><![CDATA[Events]]></category>
		<category><![CDATA[experiential]]></category>
		<category><![CDATA[inclusion]]></category>
		<category><![CDATA[Influencing]]></category>
		<category><![CDATA[Innovative Idea or Concept]]></category>
		<category><![CDATA[integration]]></category>
		<category><![CDATA[Loyalty]]></category>
		<category><![CDATA[marketing]]></category>
		<category><![CDATA[Marketing Discipline]]></category>
		<category><![CDATA[measurable business results]]></category>
		<category><![CDATA[media]]></category>
		<category><![CDATA[MENA]]></category>
		<category><![CDATA[Middle East]]></category>
		<category><![CDATA[Mike Da Silva]]></category>
		<category><![CDATA[mobile]]></category>
		<category><![CDATA[outcomes]]></category>
		<category><![CDATA[PMAA Dragons of Asia Awards]]></category>
		<category><![CDATA[promotion]]></category>
		<category><![CDATA[public relations]]></category>
		<category><![CDATA[results]]></category>
		<category><![CDATA[results-focused awards]]></category>
		<category><![CDATA[Sales]]></category>
		<category><![CDATA[Social]]></category>
		<category><![CDATA[social media]]></category>
		<category><![CDATA[sponsorship]]></category>
		<category><![CDATA[The Work]]></category>
		<category><![CDATA[world-class marketing communications]]></category>
		<guid isPermaLink="false">https://campaignme.com/?p=122970</guid>

					<description><![CDATA[<p>Dragons, a results-focused marketing communications awards programme built on 26 years of global recognition and credibility, has revealed further details about its debut in Dubai as Dragons of MENA. The programme is an extension of the PMAA Dragons of Asia Awards, established in 2000 and recognised as one of the industry&#8217;s most respected results-focused awards [&#8230;]</p>
<p>The post <a href="https://campaignme.com/dragons-of-mena-awards-in-dubai-details-revealed-categories-criteria-deadlines/">Dragons of MENA Awards in Dubai: Details revealed &#8211; categories, criteria, deadlines</a> appeared first on <a href="https://campaignme.com">Campaign Middle East</a>.</p>
]]></description>
		
		
		
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		<title>SMC Media inks strategic deal with TikTok to become official ad partner in KSA &#038; Egypt</title>
		<link>https://campaignme.com/smc-media-inks-strategic-deal-with-tiktok-to-become-official-ad-partner-in-ksa-and-egypt/</link>
		
		<dc:creator><![CDATA[Anup Oommen]]></dc:creator>
		<pubDate>Fri, 05 Jun 2026 05:00:03 +0000</pubDate>
				<category><![CDATA[Advertising]]></category>
		<category><![CDATA[Creative]]></category>
		<category><![CDATA[Digital]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Marketing]]></category>
		<category><![CDATA[Media]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[access]]></category>
		<category><![CDATA[advanced advertising solutions]]></category>
		<category><![CDATA[advertisers]]></category>
		<category><![CDATA[advertising offerings]]></category>
		<category><![CDATA[advertising partner]]></category>
		<category><![CDATA[advertising reselling programme]]></category>
		<category><![CDATA[Agencies]]></category>
		<category><![CDATA[and innovative short-form video advertising formats]]></category>
		<category><![CDATA[Arab Republic of Egypt]]></category>
		<category><![CDATA[branded content solutions]]></category>
		<category><![CDATA[brands]]></category>
		<category><![CDATA[digital content consumption]]></category>
		<category><![CDATA[digital ecosystem]]></category>
		<category><![CDATA[Digital Transformation]]></category>
		<category><![CDATA[Egypt]]></category>
		<category><![CDATA[innovation]]></category>
		<category><![CDATA[innovative advertising formats]]></category>
		<category><![CDATA[innovative short-form video advertising formats]]></category>
		<category><![CDATA[Kingdom of Saudi Arabia]]></category>
		<category><![CDATA[KSA]]></category>
		<category><![CDATA[media]]></category>
		<category><![CDATA[performance-driven marketing tools]]></category>
		<category><![CDATA[Saudi Arabia]]></category>
		<category><![CDATA[short-form mobile videos]]></category>
		<category><![CDATA[SMC Group]]></category>
		<category><![CDATA[SMC Media]]></category>
		<category><![CDATA[TikTok]]></category>
		<guid isPermaLink="false">https://campaignme.com/?p=122958</guid>

					<description><![CDATA[<p>SMC Media, the media and advertising arm of SMC Group, has revealed a strategic partnership with TikTok, the leading global platform for short-form mobile video, under which SMC Media becomes the official advertising partner for TikTok in the Kingdom of Saudi Arabia (KSA) and the Arab Republic of Egypt. The partnership reflects the shared commitment [&#8230;]</p>
<p>The post <a href="https://campaignme.com/smc-media-inks-strategic-deal-with-tiktok-to-become-official-ad-partner-in-ksa-and-egypt/">SMC Media inks strategic deal with TikTok to become official ad partner in KSA &#038; Egypt</a> appeared first on <a href="https://campaignme.com">Campaign Middle East</a>.</p>
]]></description>
		
		
		
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		<title>How brands should navigate advertising recovery in the UAE</title>
		<link>https://campaignme.com/how-brands-should-navigate-advertising-recovery-in-the-uae/</link>
		
		<dc:creator><![CDATA[Shantelle Nagarajan]]></dc:creator>
		<pubDate>Thu, 04 Jun 2026 09:21:38 +0000</pubDate>
				<category><![CDATA[Advertising]]></category>
		<category><![CDATA[Digital]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Insights]]></category>
		<category><![CDATA[Marketing]]></category>
		<category><![CDATA[Partner content]]></category>
		<category><![CDATA[formats]]></category>
		<category><![CDATA[media]]></category>
		<category><![CDATA[narrative shaping]]></category>
		<category><![CDATA[Nikos Komninos]]></category>
		<category><![CDATA[Performance]]></category>
		<category><![CDATA[programmatic]]></category>
		<category><![CDATA[project agora]]></category>
		<category><![CDATA[recovery]]></category>
		<category><![CDATA[Sajin Seethi]]></category>
		<category><![CDATA[trust]]></category>
		<category><![CDATA[UAE]]></category>
		<category><![CDATA[visibility]]></category>
		<guid isPermaLink="false">https://campaignme.com/?p=122904</guid>

					<description><![CDATA[<p>Markets across the region have navigated a period of uncertainty. But if history has taught us anything, it&#8217;s that recovery – when it comes – moves fast. And the brands that positioned themselves before the window opened are the ones that capture it. Marketing leaders across all verticals are asking the same question right now: [&#8230;]</p>
<p>The post <a href="https://campaignme.com/how-brands-should-navigate-advertising-recovery-in-the-uae/">How brands should navigate advertising recovery in the UAE</a> appeared first on <a href="https://campaignme.com">Campaign Middle East</a>.</p>
]]></description>
		
		
		
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		<title>The industry doesn&#8217;t need better pitches; it needs better standards</title>
		<link>https://campaignme.com/the-industry-doesnt-need-better-pitches-it-needs-better-standards/</link>
		
		<dc:creator><![CDATA[Anup Oommen]]></dc:creator>
		<pubDate>Thu, 04 Jun 2026 06:14:44 +0000</pubDate>
				<category><![CDATA[Advertising]]></category>
		<category><![CDATA[Creative]]></category>
		<category><![CDATA[Digital]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Marketing]]></category>
		<category><![CDATA[Opinion]]></category>
		<category><![CDATA[agency lists]]></category>
		<category><![CDATA[alignment]]></category>
		<category><![CDATA[Alliance of Independent Agencies Middle East]]></category>
		<category><![CDATA[clarity]]></category>
		<category><![CDATA[client behaviour]]></category>
		<category><![CDATA[closure]]></category>
		<category><![CDATA[collective alignment]]></category>
		<category><![CDATA[commercial structures]]></category>
		<category><![CDATA[compensation models]]></category>
		<category><![CDATA[Consistency]]></category>
		<category><![CDATA[Culture]]></category>
		<category><![CDATA[Decision making]]></category>
		<category><![CDATA[healthy partnerships]]></category>
		<category><![CDATA[independent agencies]]></category>
		<category><![CDATA[marketing]]></category>
		<category><![CDATA[Migrate]]></category>
		<category><![CDATA[networks]]></category>
		<category><![CDATA[Nick Walsh]]></category>
		<category><![CDATA[participation]]></category>
		<category><![CDATA[partnerships]]></category>
		<category><![CDATA[pitch participation]]></category>
		<category><![CDATA[pitch structures]]></category>
		<category><![CDATA[pitches]]></category>
		<category><![CDATA[pricing]]></category>
		<category><![CDATA[Procurement]]></category>
		<category><![CDATA[procurement teams]]></category>
		<category><![CDATA[speculative work]]></category>
		<category><![CDATA[standards]]></category>
		<category><![CDATA[sustainable ways of working]]></category>
		<category><![CDATA[talent]]></category>
		<category><![CDATA[timelines]]></category>
		<category><![CDATA[transparency]]></category>
		<category><![CDATA[unsustainable timelines]]></category>
		<guid isPermaLink="false">https://campaignme.com/?p=122900</guid>

					<description><![CDATA[<p>The conversation around pitching in the Middle East has finally opened up. For years, the pitch process has been marked by frustrations around unrealistic timelines, speculative work, huge agency lists, procurement-heavy structures, unclear decision-making and, in some cases, pitches that simply disappear without closure. Yet despite how openly these conversations happen behind closed doors, very [&#8230;]</p>
<p>The post <a href="https://campaignme.com/the-industry-doesnt-need-better-pitches-it-needs-better-standards/">The industry doesn&#8217;t need better pitches; it needs better standards</a> appeared first on <a href="https://campaignme.com">Campaign Middle East</a>.</p>
]]></description>
		
		
		
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		<title>Athar – Saudi Festival of Creativity opens Call for Content for 2026 edition</title>
		<link>https://campaignme.com/athar-saudi-festival-of-creativity-opens-call-for-content-for-2026-edition/</link>
		
		<dc:creator><![CDATA[Anup Oommen]]></dc:creator>
		<pubDate>Thu, 04 Jun 2026 05:00:41 +0000</pubDate>
				<category><![CDATA[Advertising]]></category>
		<category><![CDATA[Creative]]></category>
		<category><![CDATA[Digital]]></category>
		<category><![CDATA[Event]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Marketing]]></category>
		<category><![CDATA[Media]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[agency leads]]></category>
		<category><![CDATA[Athar – Saudi Festival of Creativity]]></category>
		<category><![CDATA[Athar Festival]]></category>
		<category><![CDATA[brand marketers]]></category>
		<category><![CDATA[call for content]]></category>
		<category><![CDATA[campaign showcase submissions]]></category>
		<category><![CDATA[Campaigns]]></category>
		<category><![CDATA[creative economy]]></category>
		<category><![CDATA[creative impact]]></category>
		<category><![CDATA[creative marketing]]></category>
		<category><![CDATA[Crowne Plaza RDC]]></category>
		<category><![CDATA[decoding Saudi]]></category>
		<category><![CDATA[emerging talent]]></category>
		<category><![CDATA[Future Forward]]></category>
		<category><![CDATA[marketing]]></category>
		<category><![CDATA[Media professionals]]></category>
		<category><![CDATA[Motivate Media Group]]></category>
		<category><![CDATA[panel discussions]]></category>
		<category><![CDATA[Riyadh]]></category>
		<category><![CDATA[Screen and influence]]></category>
		<category><![CDATA[speaker submissions]]></category>
		<category><![CDATA[TRACCS]]></category>
		<guid isPermaLink="false">https://campaignme.com/?p=122888</guid>

					<description><![CDATA[<p>Athar – Saudi Festival of Creativity has officially opened its Call for Content, inviting local, regional and international experts from across the creative marketing ecosystem to shape the agenda for its upcoming edition. Industry professionals have been offered until 8 July 2026 to submit their proposals via the festival’s official website. Now entering its fourth [&#8230;]</p>
<p>The post <a href="https://campaignme.com/athar-saudi-festival-of-creativity-opens-call-for-content-for-2026-edition/">Athar – Saudi Festival of Creativity opens Call for Content for 2026 edition</a> appeared first on <a href="https://campaignme.com">Campaign Middle East</a>.</p>
]]></description>
		
		
		
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		<title>Premiumisation 2.0: Creating value in a polarising GCC beauty market</title>
		<link>https://campaignme.com/premiumisation-2-0-creating-value-in-a-polarising-gcc-beauty-market/</link>
		
		<dc:creator><![CDATA[Ishwari Khatu]]></dc:creator>
		<pubDate>Wed, 03 Jun 2026 10:32:48 +0000</pubDate>
				<category><![CDATA[Brands]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Marketing]]></category>
		<category><![CDATA[Opinion]]></category>
		<category><![CDATA[Advertising]]></category>
		<category><![CDATA[beauty]]></category>
		<category><![CDATA[Brand Focus]]></category>
		<category><![CDATA[branding]]></category>
		<category><![CDATA[consumer]]></category>
		<category><![CDATA[Consumers]]></category>
		<category><![CDATA[GCC market]]></category>
		<category><![CDATA[luxury edition]]></category>
		<category><![CDATA[premiumisation]]></category>
		<category><![CDATA[Unilever]]></category>
		<category><![CDATA[wellbeing]]></category>
		<guid isPermaLink="false">https://campaignme.com/?p=122846</guid>

					<description><![CDATA[<p>The beauty market across the GCC continues to expand, fuelled by rising disposable incomes and a growing focus on beauty and wellness. But beneath this growth lies a powerful shift in consumer behaviour: a widening divide in how people choose to spend on beauty. Today’s beauty market is increasingly polarising. On the one hand, consumers [&#8230;]</p>
<p>The post <a href="https://campaignme.com/premiumisation-2-0-creating-value-in-a-polarising-gcc-beauty-market/">Premiumisation 2.0: Creating value in a polarising GCC beauty market</a> appeared first on <a href="https://campaignme.com">Campaign Middle East</a>.</p>
]]></description>
		
		
		
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		<title>Why context is the new currency of programmatic advertising</title>
		<link>https://campaignme.com/why-context-is-the-new-currency-of-programmatic-advertising/</link>
		
		<dc:creator><![CDATA[Shantelle Nagarajan]]></dc:creator>
		<pubDate>Wed, 03 Jun 2026 06:54:24 +0000</pubDate>
				<category><![CDATA[Advertising]]></category>
		<category><![CDATA[Digital]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Marketing]]></category>
		<category><![CDATA[Media]]></category>
		<category><![CDATA[Partner content]]></category>
		<category><![CDATA[ad tech]]></category>
		<category><![CDATA[contextual]]></category>
		<category><![CDATA[Harion DSP]]></category>
		<category><![CDATA[Markapp]]></category>
		<category><![CDATA[MarkDash]]></category>
		<category><![CDATA[modern programmatic media]]></category>
		<category><![CDATA[Pantheon]]></category>
		<category><![CDATA[programmatic]]></category>
		<category><![CDATA[Sotiris Oikonomou]]></category>
		<guid isPermaLink="false">https://campaignme.com/?p=122821</guid>

					<description><![CDATA[<p>For more than a decade, digital advertising has been built around the promise of identity. The industry invested heavily in the idea that the more precisely a user could be recognised, tracked, segmented, and retargeted, the more efficient media investment would become. That foundation is now being re-evaluated. Privacy regulation, browser restrictions, mobile signal loss, [&#8230;]</p>
<p>The post <a href="https://campaignme.com/why-context-is-the-new-currency-of-programmatic-advertising/">Why context is the new currency of programmatic advertising</a> appeared first on <a href="https://campaignme.com">Campaign Middle East</a>.</p>
]]></description>
		
		
		
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		<title>Are musicians in the Middle East missing out financially by not registering their work?</title>
		<link>https://campaignme.com/are-musicians-in-the-middle-east-missing-out-financially-by-not-registering-their-work/</link>
		
		<dc:creator><![CDATA[Anup Oommen]]></dc:creator>
		<pubDate>Wed, 03 Jun 2026 06:28:32 +0000</pubDate>
				<category><![CDATA[Advertising]]></category>
		<category><![CDATA[Creative]]></category>
		<category><![CDATA[Digital]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Marketing]]></category>
		<category><![CDATA[Opinion]]></category>
		<category><![CDATA[artists]]></category>
		<category><![CDATA[audio advertising]]></category>
		<category><![CDATA[Beyonce]]></category>
		<category><![CDATA[Campaigns]]></category>
		<category><![CDATA[channels]]></category>
		<category><![CDATA[composers]]></category>
		<category><![CDATA[copyright infringement]]></category>
		<category><![CDATA[Crumbl]]></category>
		<category><![CDATA[Dua Lipa]]></category>
		<category><![CDATA[labels]]></category>
		<category><![CDATA[laws]]></category>
		<category><![CDATA[license music]]></category>
		<category><![CDATA[licensing]]></category>
		<category><![CDATA[lyricists]]></category>
		<category><![CDATA[marketing]]></category>
		<category><![CDATA[money]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[musical work]]></category>
		<category><![CDATA[Musicians]]></category>
		<category><![CDATA[Publishers]]></category>
		<category><![CDATA[registering music]]></category>
		<category><![CDATA[regulations]]></category>
		<category><![CDATA[rights]]></category>
		<category><![CDATA[royalties]]></category>
		<category><![CDATA[sonic branding]]></category>
		<category><![CDATA[sound]]></category>
		<category><![CDATA[Taylor Swift]]></category>
		<category><![CDATA[Warner Bros]]></category>
		<category><![CDATA[Warner Music Group]]></category>
		<guid isPermaLink="false">https://campaignme.com/?p=122816</guid>

					<description><![CDATA[<p>Musicians in the Middle East are missing out financially by not registering their work. Simultaneously, businesses in the region risk lawsuits for failing to license music used in audio advertising campaigns. Brands across the region are increasingly incorporating music and sound in their branding campaigns to connect with a wider audience through multiple channels, giving [&#8230;]</p>
<p>The post <a href="https://campaignme.com/are-musicians-in-the-middle-east-missing-out-financially-by-not-registering-their-work/">Are musicians in the Middle East missing out financially by not registering their work?</a> appeared first on <a href="https://campaignme.com">Campaign Middle East</a>.</p>
]]></description>
		
		
		
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		<title>The 11.5th player: an entertainment asset football has always had but never owned</title>
		<link>https://campaignme.com/the-11-5th-player-an-entertainment-asset-football-has-always-had-but-never-owned/</link>
		
		<dc:creator><![CDATA[Anup Oommen]]></dc:creator>
		<pubDate>Mon, 01 Jun 2026 04:00:09 +0000</pubDate>
				<category><![CDATA[Creative]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Marketing]]></category>
		<category><![CDATA[Opinion]]></category>
		<category><![CDATA[Advertising]]></category>
		<category><![CDATA[Brand]]></category>
		<category><![CDATA[community]]></category>
		<category><![CDATA[Dave Ansari]]></category>
		<category><![CDATA[Dream Farm Agency]]></category>
		<category><![CDATA[entertainment]]></category>
		<category><![CDATA[fans]]></category>
		<category><![CDATA[Football]]></category>
		<category><![CDATA[global audiences]]></category>
		<category><![CDATA[identities]]></category>
		<category><![CDATA[intellectual property]]></category>
		<category><![CDATA[IP]]></category>
		<category><![CDATA[marketing]]></category>
		<category><![CDATA[markets]]></category>
		<category><![CDATA[mascots]]></category>
		<category><![CDATA[Sports Marketing]]></category>
		<category><![CDATA[sports organisations]]></category>
		<guid isPermaLink="false">https://campaignme.com/?p=122650</guid>

					<description><![CDATA[<p>Many football clubs have mascots.  The thinking is rooted in something football already understands instinctively. Fans are widely recognised as the 12th player: the emotional engine behind the club, present in the stands, belonging to the game as much as anyone on the pitch. The mascot sits exactly halfway between. It is the bridge between [&#8230;]</p>
<p>The post <a href="https://campaignme.com/the-11-5th-player-an-entertainment-asset-football-has-always-had-but-never-owned/">The 11.5th player: an entertainment asset football has always had but never owned</a> appeared first on <a href="https://campaignme.com">Campaign Middle East</a>.</p>
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